ISSN (Print) - 0012-9976 | ISSN (Online) - 2349-8846

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Inadequate Analysis of Social Mobility

Urban Headway and Upward Mobility in India by Arup Mitra, UK: Cambridge University Press, 2020; pp 185, `750 (hardcover).

Migration, Skilling, and Employment in Bengaluru’s New Service Economy

This paper summarises the key findings of an extensive research study recently completed in the Bengaluru and Raichur districts of Karnataka. Against the backdrop of the Skill India policy, the research focused on skill development centres that mobilise rural youth to undergo training and facilitate their entry into the lower rungs of the new service economy. While the organised services account for an increasing share of urban employment, the study found that such jobs are unlikely to lead to economic or social mobility. Instead, low wages, insecure tenure, and economic hardships in the city push service workers to switch jobs or return to their villages. The unregulated and precarious nature of work in organised services creates a fluid and unstable workforce, thus raising questions about the hegemonic skills paradigm and India’s development trajectory.

 

How Mobile Are Workers across Informal and Formal Jobs in India?

The Indian labour market is characterised by a high level of informality, with large numbers of workers in poorly paid “lower tier” informal jobs, and somewhat better paid “upper tier” informal jobs, and no benefits or security of tenure as formal jobs.

The Popular Aesthetics of Social Mobility

Reflecting on the aesthetic trajectory of the idea of social mobility in Hindi cinema and situating such film texts within the long history of the optical relation between cinema and the city, this article argues that the film Gully Boy’s (2019) quest is anchored within neo-liberal freedoms, albeit topped with a laudable linguistic experiment. In comparison with the social mobility films of the last three decades, the film is marked by certain key departures and new blind spots, which occasion a rethinking of popular culture, particularly due to its increasing over-reliance on the attention economy of social media.

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