Sukracharjya Rabha, a visionary theatre practitioner, established the Badungduppa Kalakendra in a remote village at Rampur and was also the director of the well-known “Under the Sal Tree” annual theatre festival. His theatre practice that was rooted materially, economically and ecologically at the heart of an indigenous community, creates a distinctly different political economy, which departs radically from previous attempts by the exponents of the “Theatre of Roots” movement to indigenise theatre in India and formulates a critique of it.
