Haryanvi sensibilities have been conspicuous by their absence on the silver screen. For the first time, a credible space is accorded to them in Bollywood cinema through two films—Gurgaon (2015) and NH10 (2015). These two films massively score in their portrayal of the locale, inhabitants, and culture of Haryana. This paper analyses both these films in the context of present-day Haryana to show how they succeed in highlighting the transitional phase and travails of this state.
