Homosexuality as a Dominant Narrative in Class

Homosexuality has been a taboo topic in Indian society for a long time, and it is only recently that there has been some degree of acceptance and visibility of LGBTQ+ individuals in mainstream media. Historically, Indian films have shared a complicated relationship with the representation of homosexuality, which is either ignored or ridiculed. Characters who are portrayed as gay or lesbian are frequently portrayed as caricatures, exhibiting exaggerated mannerisms and speech patterns intended for humour, which often perpetuate harmful stereotypes and stigmatises LGBTQ+ individuals.

Based on the Spanish series Elite (2018) and directed by Ashim Ahluwalia, Class (2023) is a high-octane thriller that depicts what transpires when three teenagers from disadvantaged backgrounds attend Hampton, a school for the ultra-wealthy in Delhi. The show breaks new ground by intertwining the theme of homosexuality with the show’s larger narrative, acknowledging the intersectionality of identities and the impact of socio-economic backgrounds on the experiences of LGBTQ+ individuals. By addressing sensitive social and cultural issues, Class reflects an evolving media landscape and tackles homosexuality and romance in adolescents in a country where such topics are often taboo, contributing to a meticulous and empathetic portrayal on screen.