ISSN (Print) - 0012-9976 | ISSN (Online) - 2349-8846
-A A +A

Two Classic Tales of Village India

Reading Fakir Mohan Senapati's Six Acres and a Third and Premchand's Godaan from a comparative perspective, this paper shows how some stories write the world in a more realistic way than others by providing a better "epistemic access" to it. Godaan presents a moving human document and social panorama but Six Acres considerably deepens the "referential" function of its own discourse by rewriting reference as "epistemic access" to the structures of domination. The novel of a tyrant and of a tyrannical system thus becomes the product of a complicit social ideology and discourse, encouraging scepticism about what is given. It problematises the real so that the rules of this world can be rewritten, unlike Godaan, which settles for the familiar reality of psychodrama.

Subscribers please login to access full text of the article.

New 3 Month Subscription
to Digital Archives at

826for India

$50for overseas users

Get instant access to the complete EPW archives

Subscribe now


(-) Hide

EPW looks forward to your comments. Please note that comments are moderated as per our comments policy. They may take some time to appear. A comment, if suitable, may be selected for publication in the Letters pages of EPW.

Back to Top