This article offers a cultural critique of a Marathi film, Gulabjaam, from an anti-caste and anti-Brahminical perspective. It looks at the film as a new attempt in strengthening cultural dominance of a caste and city identity. Everyday political discourse in current times is not restricted to simply differentiating vegetarian from non-vegetarian foods. Rather, it is activated to ascribe goodness and badness of character in people who eat them and further, to determine their place as citizens in the Hindu national project.
