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Tracing two generations of father-and-son through their relationships with crows, bees, death and the ubiquitous newspaper.
Much before the cell phone, the ubiquitous black rotary dial telephone sparked the imaginations of children in 1980s’ India.
Do we shrug off the existential heartburn on seeing a tree being axed, blaming it on the inevitable progression of things?
Is contemporary Indian cinema doing the job of recording the people’s history of our times?
