Slumdog Millionaire and Epistemologies of the City
Much of the critical and popular controversy surrounding the 2009 fi lm Slumdog Millionaire is derived from misconceptions over the representational possibilities of popular fi lm, as well as the overwhelming national framework of fi lm criticism. By locating the ways in which the dystopic aesthetic of Danny Boyle's earlier fi lm, Trainspotting, is energised when it meets the Mumbai slum, this essay argues that Slumdog explores the role of informal knowledge in the navigation of changing urban landscapes. In this way, it is not despite, but through, the fi lm's refusal of realist generic conventions that it offers its interpretation of the city.
Subscribe Now !
Get instant access to the complete EPW archives
New 3-Month Subscription to Digital Archives at just Rs 300 for India and $12 for overseas users.
EPW looks forward to your comments. Please note that comments are moderated as per our comments policy. They may take some time to appear.